Friday, March 20, 2020

Definition and Examples of Symploce in Rhetoric

Definition and Examples of Symploce in Rhetoric Symploce is a  rhetorical term for the repetition of words or phrases at both the beginning and end of successive clauses or verses: a combination of anaphora and epiphora (or epistrophe).  Also known as complexio. Symploce is  useful for highlighting the contrast between correct and incorrect claims, says Ward Farnsworth. The speaker changes the word choice in the smallest way that will suffice to separate the two possibilities; the result is a conspicuous contrast between the small tweak in wording and the large change in substance (Farnsworths Classical English Rhetoric, 2011). EtymologyFrom the Greek, interweaving Examples and Observations The yellow fog that rubs its back upon the window-panes,The yellow smoke that rubs its muzzle on the window-panes . . ..(T.S. Eliot, The Love Song of J. Alfred Prufrock. Prufrock and Other Observations, 1917)The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason.(G.K. Chesterton, Orthodoxy, 1908)In the years after World War I my mother had put pennies for Grace [Cathedral] in her mite box but Grace would never be finished. In the years after World War II I would put pennies for Grace in my mite box but Grace would never be finished.(Joan Didion, California Republic. The White Album. Simon Schuster, 1979)For want of a nail the shoe was lost.For want of a shoe the horse was lost.For want of a horse the rider was lost.For want of a rider the battle was lost.For want of a battle the kingdom was lost.And all for the want of a horseshoe nail.(attributed to Benjamin Franklin and others) Effects of Symploce Symploce can add a sense of measured balance to the rhetorical effects achieved through either anaphora or epiphora. Paul demonstrates this in Are they Hebrews? So am I. Are they Israelites? So am I. Are they of the seed of Abraham? So am I. Symploce can also string together clauses to create either a catalogue or gradatio.(Arthur Quinn and Lyon Rathbun, Symploce. Encyclopedia of Rhetoric and Composition: Communication From Ancient Times to the Information Age, ed. by Theresa Enos. Taylor Francis, 1996) Symploce in Shakespeare Most strange, but yet most truly, will I speak:That Angelos forsworn; is it not strange?That Angelos a murderer; ist not strange?That Angelo is an adulterous thief,An hypocrite, a virgin-violator;Is it not strange and strange?(Isabella in William Shakespeares Measure for Measure, Act 5, scene 1)Who is here so base that would be a bondman? If any, speak; for him I have offended. Who is here so rude that would not be a Roman? If any speak; for him have I offended. Who is here so vile that will not love his country? If any, speak; for him have I offended.(Brutus in William Shakespeares Julius Caesar, Act 3, scene 2) Bartholomew Griffin's Perfect Symploce Most true that I must fair Fidessa love.Most true that I fair Fidessa cannot love.Most true that I do feel the pains of love.Most true that I am captive unto love.Most true that I deluded am with love.Most true that I do find the sleights of love.Most true that nothing can procure her love.Most true that I must perish in my love.Most true that She contemns the God of love.Most true that he is snarà ¨d with her love.Most true that She would have me cease to love.Most true that She herself alone is Love.Most true that though She hated, I would love!Most true that dearest life shall end with love.(Bartholomew Griffin, Sonnet LXII, Fidessa, More Chaste Than Kinde, 1596) The Lighter Side of Symploce Alfred Doolittle: Ill tell you, Governor, if youll only let me get a word in. Im willing to tell you. Im wanting to tell you. Im waiting to tell you.Henry Higgins: Pickering, this chap has a certain natural gift of rhetoric. Observe the rhythm of his native woodnotes wild. Im willing to tell you. Im wanting to tell you. Im waiting to tell you. Sentimental rhetoric! Thats the Welsh strain in him. It also accounts for his mendacity and dishonesty.(George Bernard Shaw, Pygmalion, 1912) Pronunciation: SIM-plo-see or SIM-plo-kee Alternate Spellings: simploce

Wednesday, March 4, 2020

7 Ways To Show The Hiring Manager That You Really Want The Job

7 Ways To Show The Hiring Manager That You Really Want The Job You really really want this job. And you want to make sure the hiring manager knows it. Trouble is, you also don’t want to come off as totally desperate. As much as you want to give them the really hard sell and show off your exuberant enthusiasm for the position, it’s best to hold back and try these tricks instead. 1. Send a note.A handwritten thank you note after the interview will go a long way. And it’s much more elegant than gushing or yammering on about just how much you love the company and really really want this job. Bonus points if you’ve already sent a quick follow-up email and can mention different things in the handwritten note.2. Go the extra mile.If a job description says that certain application materials are optional, and you have the capacity to provide them, do. You’ll easily set yourself apart from the majority of applicants who won’t have time or energy to go above and beyond for this particular job. And you’ll hav e that many more chances to prove you are a perfect fit for the position.3. Be clear.If you’re lucky enough to have the opportunity, i.e. you’re asked point-blank about the seriousness of your intentions, then do make it absolutely clear how serious you are about wanting this gig. Refrain from gushing, but make it firmly clear you are in this.4. Take home some swag.This is a potentially risky move, but if you see some brand stickers or pens or other such swag on your way out, and you feel comfortable doing so, you could remark on how stylish or well-done the item is and say, â€Å"If you have any to spare, I’d love to take one of these with me.† As long as you can pull this off without looking creepy, it’s sometimes a great move to show you’re really serious about a company.5. Do your homework.Perhaps the best thing you can bring with you into an interview for a gig you’re really gung-ho to get is preparation. Don’t waste time pining and hoping that you get hired. Spend all of that nervous energy doing really solid research into the company, the industry, and the job itself. Doing your homework will help you shine in the interview.6. Ask questions.Your interviewer will ask you if you have any questions. And you’d best be prepared to have some. Make sure they’re intelligent and incisive. Tailor them to the company and the position. Use the research you’ve done to make sure you have this step of the interview covered. And practice asking before you go in.7. Come up with a final pitch.Think up (and practice practice practice) a final elevator pitch that you can use to close the interview. Some combination of â€Å"thank you† and a way to reaffirm your keen interest in the position. Make it surgical and elegant and follow it up with good body language and a firm handshake (and of course, the thank you note), and you’ll do great.Who knows? If you manage to nail all of this, y ou might just make them more interested in you!